Willie Nelson headlines Outlaw Tunes Competition at the Mann Middle, with Sturgill Simpson, Margo Rate and Gov’t Mule

The lineup for the Outlaw Music Competition tour at the Mann Center on Saturday was so formidable that the headliner was just about an afterthought.

The make-sure-you-get-there-early opener was Nashville songwriter Margo Price, last but not least out on the street once again to spread the term about very last year’s exemplary That is How Rumors Get Started.

Value was followed first by guitarist Warren Haynes’ Southern rock band Gov’t Mule, and then by entire-of-surprises region tough dude Sturgill Simpson, backed by a dazzling band of bluegrass musicians.

And, oh yeah, the previous act to strike the stage: some person named Willie Nelson.

Supporters could be forgiven for tempering anticipations for Nelson’s closing established. Positive, the “Red Headed Stranger” is the important embodiment of the Outlaw model, courting to when he and Waylon Jennings flipped the hen to Nashville and planted a nonconformist flag in Texas in the 1970s.

But on Saturday night at the just about marketed-out Mann — in which evidence of vaccination or a unfavorable COVID test was expected for entry, and mask compliance was greater than at previous week’s Built In The usa competition — Nelson was allotted only an hour of stage time, 15 minutes significantly less than both of those Simpson and Gov’t Mule. Touring with his Family members band, he was seated with pianist sister, Bobbi, on his proper and guitarist son, Micah, on his remaining.

Micah eased the load for his father by taking guide vocals on 4 tunes, which include the place gospel typical “Keep on the Sunnyside” and the brand new “If I Die When I’m Superior I’ll Be Midway to Heaven,” which Micah explained he wrote immediately after his father proposed the title.

Opening as often with “Whiskey River,” as an American flag backdrop was uncovered — changing an Outlaw tableau that includes a tour bus trailed by clouds of smoke disappearing into a tree — Willie took a minor although to heat up.

He set the mood with the Zen koan “Still Is Nevertheless Shifting to Me,” then eased into wistful, melancholy standards, some of which he wrote himself, these kinds of as “Crazy” and “Night Lifestyle,” and other folks, these as “Always on My Intellect,” that he has made so indelible you just believe he wrote them.

Like an aging athlete obtaining his footing, Nelson received stronger as the exhibit went on, his vocals additional robust, the gypsy-jazz potential customers he squeezed out of his acoustic guitar Trigger friskier. The pairing of Hoagy Carmichael’s (by way of Ray Charles) “Georgia on My Mind” and Billy Jo Shaver’s “Georgia on a Rapid Train” was especially winning.

And by the time the encores rolled about, with all the evening’s showcased performers signing up for him for the nation gospel sing-alongs on “Will the Circle Be Unbroken?” and “I’ll Fly Away,” Nelson was commanding the stage from his seated situation.

So a great deal so that he decided to throw Mac Davis’ mock boastful “It’s Tough to Be Humble” as a nearer on what was an night of 5½ hours of performances. “To know me is to love me,” Nelson sang playfully. Indeed it is, and all the extra so now, considering how critical and indomitable of an artist he remains at age 88.

Simpson preceded him with 75 minutes of bluegrass virtuosity drawn from his two 2020 Cuttin’ Grass albums and the new Ballad of Dood & Juanita, a narrative idea album that he wrote and recorded in a 7 days.

The standouts amongst the peerless group of pickers were mandolin participant Sierra Hull and fiddler Stuart Duncan. The all-star gamers cohered as a device, and had been super-tight — in distinction to Nelson’s band’s lovable looseness — irrespective of it getting only the 2nd clearly show of the tour.

But as considerably as the emphasis is on the ensemble, it is Simpson who tends to make it operate, not only with his uncompromising inventive vision, but also because his chesty baritone is as forceful as the band revving powering him.

Gov’t Mule’s established was the sluggish extend of the night. With the exception of the exceptional nearer “Soulshine,” which Haynes wrote through his Allman Brothers days, the Mule’s jam-band blues-rock tended to drag. Action picked up throughout Neil Young’s “Keep on Rockin’ in the Cost-free World,” on which Haynes was joined by Micah Nelson, and a protect of Etta James’ “I’d Somewhat Go Blind.”

Rate was fabulous in a much too-short, 45-minute established, foremost a seven-piece nation-rock band showcasing her husband, Jeremy Ivey, on guitar. Standout times included the feminist anthem “Four Decades of Chances” and a closing honky-tonk troika of her individual, “Hurtin’ (On the Bottle),” Merle Haggard’s “I Feel I’ll Just Keep Below And Drink” and Nelson’s “Whiskey River.”

The highlight of the established (and perhaps the entire display) came earlier, however, when Value employed a tune composed by Philadelphians John Madara and David White in 1963 to target lawmakers in the Lone Star Point out who handed restrictive antiabortion laws that took impact this thirty day period. “This just appeared acceptable with all the things that is heading on in Texas,” she reported, before building the concept of Lesley Gore’s “You Do not Personal Me” certainly apparent.