Portraits of Lesbians staying reissued.

green and white leafed plantsOn this week’s episode of Working, June Thomas spoke with photographer, filmmaker, and activist Joan E. Biren (also recognised as JEB) about her groundbreaking 1979 e book, Eye to Eye: Portraits of Lesbians. They talked over how she uncovered a assorted cross-section of the group to photograph, the barriers that affected how the guide arrived collectively, and the gratifying innovative method of reissuing the volume in 2021. This partial transcript has been edited and condensed for clarity.

June Thomas: I can convey to from these photos that you didn’t meet up with these girls, acquire the pics 5 minutes later, and transfer on.

Joan E. Biren: If someone had been determined to me as a possible man or woman who could possibly be in the e book, I would normally write to them or satisfy them or converse to them with no a digicam becoming existing. I would make clear what I was executing. I would be really distinct that this was intended for publication. I experienced made unique release varieties that mentioned, “I can be discovered as a lesbian. I can have my name. I can have what ever.” Then folks could decide irrespective of whether they required their full name or just their 1st title. Largely the process was for me to clarify why I imagined they in specific would be a excellent particular person to be in the book, why I required them to be in the ebook. It was a way of making knowledge and rely on before we got to the put when there was a camera present.

Would there be a image session? That feels like one thing you would do in a studio, but you ended up in their homes, you ended up in their fields if they had been in a rural condition. Was there a general image of the encounter of building the pictures that eventually created it into the book or into your other photographic output?

It depended on how considerably time I would have with the man or woman, but I generally desired as a great deal time as possible, due to the fact the extended you dangle out with somebody with a digicam, the significantly less aware of the digicam they grow to be, and they just commence becoming far more and extra whoever they are. I’m incredibly non-directive. I would a lot like the man or woman to just do their existence and enable me comply with them close to. So if that was doable, which is the way we did it.

If we had a really short time body, I would say to them: “Well, how would you like to do this? Wherever would you like to be in your property or in your place? And what would you like to be undertaking?” And we’d go from there. I do not believe that in posing men and women, because it decreases the authenticity of the photograph to me. I think folks recognize it and truly feel the electricity of a photograph even if they’re not mindful of what they are experiencing wanting at it. I assume the electrical power that was taking place when it was made is in the image.

Did you usually do the job in black and white?

No. I largely worked in black and white for the reason that all the publications could only print black and white, because black and white was much less expensive. I could do all my have building and enlarging—at that time there was nevertheless a chance if you sent your movie to a professional business place that they would confiscate it, based on the obscenity rules. So, for a extended time, I did not use color movie. But when I could afford to pay for it, I commenced using two cameras, one with black and white and one with slide film. Then I started out building slideshows.

The e-book was published by Glad Hag Books, but that is you, appropriate?

That is me. There’s no other happy hag. I’m the only 1. I had no personnel, no nothing—just me.

You’d by now completed this difficult job of likely out there into the world, discovering women of all ages to make photographs of, creating their images, obtaining their permission, then the total function of creating a ebook. How did you pay out for it?

I did what we would now call crowdfunding. I raised the funds in the community. Most of it was small financial loans by a whole lot of men and women, and just one important donor, who also forgave her financial loan. It was funded by the neighborhood, simply because I guaranteed didn’t have the funds.

No existing lesbian or homosexual push would do it because I required it on superior paper. I experienced only ever found the get the job done on newsprint, and I was decided that it would be on coated inventory and that was also high-priced for the current presses. For the identical expense they could put out, like, five textbooks of text.

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The toughest section was not raising the income. The most difficult aspect was finding a printing press that would print these illustrations or photos. What I had to do was get a extremely younger Nan Hunter, who experienced just gotten out of regulation faculty and turned out to be a single of the greatest lesbian legal professionals ever. She had to go to the press and create this authorized paper that exempted them from legal responsibility, because they considered that all the women of all ages would sue them simply because they were currently being determined as lesbians. It was unheard of. So we had to get a next round of releases, in which we missing some of the people. And then we had this authorized exemption, and then a person of the printers refused on spiritual grounds to do the job on the job. And then, simply because I did not have plenty of income, I experienced to camp out at the push, which was in Baltimore, to glimpse at the proofs as they arrived off the push, simply because I did not have the revenue to pause the press to have them mail me the proofs. So, the printing was genuinely a tricky piece of obtaining it made.

How quite a few copies did you print in the authentic?

The initial run was 5,000 copies, which is a large amount for a pictures guide, and it offered out, I imagine, in a few months.


I went again to push and did a next printing, which also marketed out rather swiftly. It speaks to the hunger that was in our local community to have genuine reflections of who they were. Publications just disappeared. A lot of of them also disappeared without having becoming bought from bookstores and libraries. Individuals ended up so scared that they’d just steal this e-book. And I’m happy they did.

To pay attention to the comprehensive interview with Joan E. Biren, subscribe to Functioning on Apple Podcasts or Spotify, or hear below.

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