Kulapat Yantrasast, museums’ design and style person of the instant

green and white leafed plantsThe most eye-catching aspect of the new Academy Museum of Motion Images may possibly be Renzo Piano’s Geffen Theater, nicknamed the “Death Star.” But as soon as visitors move inside the museum, they will practical experience interior galleries formed by a man who has emerged as a go-to designer for cultural establishments: Kulapat Yantrasast of WHY in Culver Town.

A indigenous of Thailand, Yantrasast gained his master’s and PhD at the University of Tokyo. He was employed by Pritzker Prize winner Tadao Ando to do the job on the Japanese architect’s most notable American constructing, the Modern Art Museum of Fort Value in Texas.

Yantrasast departed Ando’s organization in 2002 and set up WHY a yr later on, sooner or later opening offices in New York City and Paris. The firm’s initiatives incorporate Watts Towers Housing, at present beneath development, and the Culver Town Hall Centennial Backyard garden, but it is WHY’s cultural do the job that has vaulted it to prominence. A timeline:


Grand Rapids Art Museum in Michigan establishes WHY’s motivation to environmentally friendly design.


When the well known L&M Arts Gallery of New York decides on a L.A. outpost, it phone calls on WHY to do what it does very best: Explode the principle of the white cube.


The business reimagines the seven galleries at the Artwork Institute of Chicago to create a unified space for Greek, Roman and Byzantine art.


The Studio Artwork Corridor at Pomona College or university gives pupils an open location to make, placing their individual boundaries and encouraging porousness amongst disciplines.


WHY collaborates on the Harvard Artwork Museums, bringing collectively 3 individual museums — the Fogg, the Sackler and the Busch-Reisinger — into one artwork-viewing expertise.


For the Velocity Artwork Museum in Louisville, Ky., WHY applies what it calls “acupuncture architecture” to the 1927 Neoclassical construction in an exertion to sustain its historic charm.


WHY converts an vacant warehouse in downtown L.A. into a new house for the previous Santa Monica Museum of Artwork, renamed the Institute of Present-day Art, Los Angeles.


The auction house Christie’s sets up a Beverly Hills outpost, with WHY giving a redesign that lets for a variety of artwork to be shown.


For the Marciano Artwork Basis, WHY preserves the exterior tile mosaics and Italian marble cladding on the 1961 Millard Sheets-created Scottish Ceremony Masonic Temple but transforms its inside into a thoroughly WHY area.


For the inaugural Los Angeles installment of the Frieze artwork good, WHY styles a 62,000-square-foot exhibition tent on the Paramount Photographs whole lot, wherever it withstands the check of torrential rain and wind on opening working day.

2020 and 2014

Initially cobbled together from three neighboring worries, the David Kordansky gallery receives a renovation, enlargement and addition of a sculpture courtyard.


For the East Palo Alto Youth Arts and Music Middle, WHY devises a pavilion-like construction open up to a totally free circulation concerning disciplines, primarily based on enter from the local community.


WHY reconfigures 31 galleries at San Francisco’s Asian Artwork Museum and provides a 13,000-sq.-foot pavilion.


Functioning with Renzo Piano Setting up Workshop, WHY focuses on connective sightlines to produce a seamless trip by film historical past in the main galleries of the Academy Museum.


A new construction for Tchaikovsky Academic Opera and Ballet Theater in Perm, Russia, will provide as the centerpiece for the city’s arts district.

A 50-foot-prolonged entrance bridge to the Worcester Artwork Museum in Massachusetts is part of WHY’s redevelopment plan for the establishment.

The multiphase grasp approach to develop Chicago’s Jackson Park commences with a site-particular sculptural collaboration with Yoko Ono.

The authentic midcentury Riverside General public Library is getting transformed into the Cheech Marin Middle for Chicano Artwork and Society, or “the Cheech.”

In New York, the American Museum of Purely natural History’s Northwest Coastline Corridor at first was made by anthropologist and curator Franz Boas, generally identified as the “father of American anthropology.” He thought indigenous cultures ought to be thought of on their have terms, exterior of Western paradigms. By way of ongoing renovations, WHY seeks to manage that eyesight.

At New York’s Metropolitan Museum of Art, WHY’s renovations include things like a comprehensive conceptual and bodily redesign of galleries housing the Arts of Africa, Oceania and the Americas.

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